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Anthony Van Dyck
salvador dali
mk265 portait of lady louis mountbatten 1940 private collection.
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Anthony Van Dyck
salvador dali
mk265 portrait od elizabeth gregory,1946 private collection.
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Anthony Van Dyck
balthasar klossowski de rola
mk265 called balthus portait of the vicomtesse marie laure de noailles private collection.
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Anthony Van Dyck
horst p horst
mk265 portrait of coco chanel 1937, private collection
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Anthony Van Dyck
Self Portrait With a Sunflower showing the gold collar and medal King Charles I gave him in 1633
Self Portrait With a Sunflower showing the gold collar and medal King Charles I gave him in 1633. The sunflower may represent the king, or royal patronage
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Anthony Van Dyck
Self portrait,
Self-portrait, 1613-14.
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Anthony Van Dyck
Genoan hauteur from the Lomelli family,
Genoan hauteur from the Lomelli family, 1623
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Anthony Van Dyck
The more intimate, but still elegant style he developed in England,
The more intimate, but still elegant style he developed in England, ca 1638
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Anthony Van Dyck
King Charles I
King Charles I, ca. 1635 Louvre - see text
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Anthony Van Dyck
Samson and Delilah,
Samson and Delilah, ca. 1630. A strenuous history painting in the manner of Rubens; the saturated use of color reveals van Dyck's study of Titian.
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Anthony Van Dyck
Henrietta Maria and the dwarf, Sir Jeffrey Hudson,
Henrietta Maria and the dwarf, Sir Jeffrey Hudson, 1633
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Anthony Van Dyck
This triple portrait of King Charles I was sent to Rome for Bernini to model a bust on
This triple portrait of King Charles I was sent to Rome for Bernini to model a bust on
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Anthony Van Dyck
Self Portrait
"Self Portrait", ca. 1621 Alte Pinakothek
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Anthony Van Dyck
Elena Grimaldi, Genoa
Elena Grimaldi, Genoa 1623
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Anthony Van Dyck
Marie Louise de Tassis, Antwerp 1630
Marie-Louise de Tassis, Antwerp 1630
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Anthony Van Dyck
Queen Henrietta Maria, London 1632
Queen Henrietta Maria, London 1632
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Anthony Van Dyck
Charles I with M. de St Antoine
Charles I with M. de St Antoine (1633)
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Anthony Van Dyck
James Stuart, Duke of Richmond,
James Stuart, Duke of Richmond, ca. 1637
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Anthony Van Dyck
Amor and Psyche,
Amor and Psyche, 1638
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Anthony Van Dyck
George Digby, 2nd Earl of Bristol,
George Digby, 2nd Earl of Bristol, ca. 1638?C9
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| Anthony Van Dyck
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Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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